One feels tossed about with the hints of glory and love, but nothing like what will follow. Key change to the syncopated theme for the third time. More counterpart, this time underscoring with a walking Baroque bass. Back to the surface with the syncopated theme. An odd chord-change, as the carriage hard banks into counterpoint sequences. The sites you see may differ, but I’ll be your guide from what I see out my window.ĭazzling start with syncopation. The first bar is actually a door opening to a magic caravan ride.Ĭlimb in with me into David’s Caravan, as we take the Momentum Tour. Unlike listening to Bach, or Beethoven, whose music keeps you interested in the musical content, Hicken’s music sweeps you away on an emotional journey immediately. One can not hear David’s music and stay focused on it. One can hear the cinematography sounds of Hans Zimmer, the Brilliance of Bachs counterpoint, the Building-power of Beethoven, and the heart break of Chopin’s lyricism. But within that circumference, one will find a wider variety than one would find with a Yanni, Jim Brickman, or any Hearts of Space meditational soundtrack.ĭavid’s compositional voice has New Age as it starting point, but it is so much more. Of course with no lyrics or multi-instrumental-pallet, there will automatically be a unified timber. There will be a boundary of unifying style safely smaller than most classical, rock, of even folk albums. Any Piano Solo album (I purchased 6) of David Hicken will be a delight to listen to.
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